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English Renaissance, Shakespeare and the Globe Theatre.
Transcript of English Renaissance, Shakespeare and the Globe Theatre.
English Renaissance theatre, also known as early modern English theatre, or (commonly) as Elizabethan theatre, refers to the theatre of England between 1562 and 1642. The term "Elizabethan theatre", however, properly covers only the plays written and performed publicly in England during the reign of Queen Elizabeth(1558–1603). As such, "Elizabethan theatre" is distinguished from Jacobean theatre (associated with the reign of King James I, 1603–1625), and Caroline theatre (associated with King Charles I, 1625 until the closure of the theatres in 1642). "English Renaissance theatre" or "early modern theatre" refers to all three sub-classifications taken together, but most famous plays were written and performed during the Elizabethan era.It includes the drama of William Shakespeare, Christopher Marlowe and many other
English renaissance costumes
Costumes were often bright in color and visually entrancing. Costumes were expensive, however, so usually players wore contemporary clothing regardless of the time period of the play. Otherwise, costumes would be recycled and used in multiple different plays multiple times until it was too worn to be used. Occasionally, a lead character would wear a conventionalized version of more historically accurate garb, but secondary characters would nonetheless remain in contemporary clothing.
Tragedy was an amazingly popular genre. Marlowe's tragedies were exceptionally popular, such as Dr. Faustus and The Jew of Malta. The audiences particularly liked revenge dramas, such as Thomas Kyd's The Spanish Tragedy. The four tragedies considered to be Shakespeare's greatest (Hamlet, Othello, King Lear, and Macbeth) were composed during this period, as well as many others . Comedies were common, too. A sub-genre developed in this period was the city comedy, which deals satirically with life in London after the fashion of Roman New Comedy.
William Shakespeare was an English poet, playwright and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist He is often called England's national poet. His works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses. His plays have been translated into every major living language and are performed more often than those of any other playwright. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men
The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, on land owned by Thomas Brend and inherited by his son, Nicholas Brend and grandson Sir Matthew Brend, and was destroyed by fire on 29 June 1613. A second Globe Theatre was built on the same site by June 1614 and closed in 1642. A modern reconstruction of the Globe, named "Shakespeare's Globe", opened in 1997 approximately 750 feet (230 m) from the site of the original theatre. The Globe was owned by actors who were also shareholders in Lord Chamberlain's Men, which included Richard Burbage, Cuthbert Burbage, Shakespeare, John Heminges, Augustine Phillips, and Thomas Pope. The globe theatre is a roundish, three-story wooden building, so high for its size that it looks more like a clumsy, squatty tower than a theatre. As we draw nearer we see that it is not exactly round after all, but is somewhat hexagonal in shape. The walls seem to slant a little inward, giving it the appearance of a huge thimble, or cocked hat, with six flattened sides instead of a circular surface. There are but few small windows and two low shabby entrances.
The rising Puritan movement was hostile toward theatre, as they felt that "entertainment" was sinful. Politically, playwrights and actors were clients of the monarchy and aristocracy, and most supported the Royalist cause. The Puritan faction, long powerful in London, gained control of the city early in the First English Civil War, and on 2 September 1642, the Parliament, pushed by the Parliamentarian party, under Puritan influence, banned the staging of plays in the London theatres.After 1642, during the English Civil War and the ensuing Interregnum (English Commonwealth), even after the Puritan mandated banning of the performance of plays, theatrical activity which continued English Renaissance theatre could be seen to some extent, e.g. in the form of short comical plays called Drolls that were allowed by the authorities, while proper full-length plays were banned.The performance of plays remained banned for most of the next eighteen years, becoming allowed again after the Restoration of the monarchy in 1660. The theatres started again performing many of the plays of the previous era, though often in adapted forms; new genres of Restoration comedy and spectacle soon evolved, giving English theatre of the later
seventeenth century its distinctive character.
English Renaissance, Shakespeare and the Globe Theatre.
By: Mary Grasser
The End of The
The End of English