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Visual Culture and the "Alice" Books
Transcript of Visual Culture and the "Alice" Books
through Alice—may have helped start this movement that focused on the role of the unconscious in art, breaking down the line between what is real and what is imaginary. (Anti?) Visual Culture Major points The illustrations were and are integral to the "Alice" books. The context of John Tenniel's life changed how people read the "Alice" books. The context and importance of Tenniel's images altered the way texts with images are read, foreshadowing the Internet era. "Because the illustrations have become iconic for the various characters, the imaginative activity involved in reading the text-cum-illustrations is now simply part of what the book is" (Wartenberg 26). Image Source: www.funcoast.com (copyright Disney from 1951 movie) Source: www.alice-in-wonderland.net (copyright Disney from 1951 movie) Source: www.alice-in-wonderland.net (copyright Disney from 1951 movie) ICONIC: a religious image painted on a wood panel a representative symbol 1) 2) Le Loup et le Chien http://fr.wikipedia.org (The Wolf and the Dog) Tenniel's use of contemporary culture Works Cited Image source: www.punchcartoons.com Knighted in 1893 Other works include "Aesop's Fables" and "Lalla Rookh." In introducing these elements to the "Alice" books, Tenniel forever changed the trajectory of text-image partnerships by demonstrating the possibilities for placing them in intertextual conversation. Chancellor Otto von Bismarck resigns at German Emperor Wilhelm II’s insistence. "Iraqis celebrate the withdrawal of American combat troops" by Steve Bell "Alice" illustration subtexts Theophilus Carter as The Mad Hatter Drawing for Church of Santo Spirito (Brunelleschi) Madonna and Child (Artist Unknown) During the Renaissance, artists grew more concerned with accurate perspectives in their work rather than assigning size based on importance. Tenniel parodies Renaissance Perspective Tenniel uses historical models Image sources: www.internal.schools.net.au Benjamin Disraeli as the man dressed in white paper and William Gladstone as the goat Tenniel spoofs classical texts Along with Carroll's text, Tenniel's Tweedle illustrations spoof classical notions of the "arming for battle" scene. Tenniel draws connections to the corpus of his work Critics note unmistakable similarities between this image and a cartoon Tenniel had drawn decades earlier in which he depicted Gladstone as a lion and Disraeli as a unicorn. (The symbols are drawn from the UK's Coat of Arms.) How John Tenniel changed text-image relationships by J. J. Grandville Disraeli Gladstone "The Persistence of Memory" 1931, Dali Questions? Contact the author at firstname.lastname@example.org The end rhetorical "A theory of rhetorical delivery where a rhetorician strategizes the ways in which a third party may revise, recompose, and redistribute a text." Source: Ridolfo velocity: "It is also worth considering what happens when “image” is used to represent all that is not made exclusively of words. First, even if I were to pretend that the repertoire of communication materials available to us has nothing to do with other practices that shape what we do in the world, I think that “images”—if by that term we mean what many of us implicitly imagine when the term is used, a page-sized or no more than 3 by 3 realistically representational photograph, drawing, or painting—nonetheless exceed logics of space." This presentation, for example, works because of two files: an audio file and a Prezi. But neither of these files makes sense alone, and neither of these files could ever have alone. They are intertwined in their very being, just as all images and texts are separate existed not so separate as we might think.