Loading presentation...

Present Remotely

Send the link below via email or IM


Present to your audience

Start remote presentation

  • Invited audience members will follow you as you navigate and present
  • People invited to a presentation do not need a Prezi account
  • This link expires 10 minutes after you close the presentation
  • A maximum of 30 users can follow your presentation
  • Learn more about this feature in our knowledge base article

Do you really want to delete this prezi?

Neither you, nor the coeditors you shared it with will be able to recover it again.


The Beatles

No description

Allen Redford

on 2 April 2015

Comments (0)

Please log in to add your comment.

Report abuse

Transcript of The Beatles

Beatles Innovations that Changed Music
the Concept Album
Prior to 1966, popular musical acts went into the recording studio in order to create a stack of singles.
These singles were first released individually by the record company, and then again in a few months as part of a long-playing album.
the band had no input as to which songs went on the album, which order they were presented, or what was used as the cover art
– these were all decisions made independent of the band by the record company.
With the
invaluable guidance of their producer, George Martin, the Beatles released the industry’s first concept album, “Sgt. Pepper’s Lonely Hearts Club Band.”

The idea behind “Sgt. Pepper” was that the Beatles were playing the part of another band giving a concert in the park, and all of the songs on the album were part of that outdoor affair.
None of the songs on that album were initially released as singles
– the first time the public heard any part of “Sgt. Pepper” was when the entire album was released in June, 1967.
Stadium Concerts
The Beatles were highly successful in selling out their early concerts in 1963, 1964, and 1965.
They were only playing shows booked in auditoriums, theaters, and amphitheaters that seated anywhere between 1000 and 10,000 ticket-holders.
When manager Brian Epstein initially booked the Beatles to play a concert in New York’s Shea Stadium in August, 1965, the idea was considered almost too absurd to consider.
Tickets sold out within hours (priced between $4.50 and $5.75), and over
berserk, screaming fans (mostly teenage girls) packed Shea Stadium for the

stadium rock concert.

The Beatles only played 30 minutes, the fans were not allowed onto the infield where the stage was located.
The stadium’s sound system was atrocious for a musical concert, but the night’s gross was over $300,000, which stood as an industry record for many years.
Music Videos
Early jazz artists created short music-film performances of their songs.
Elvis filmed unique settings of his songs that were parts of movies.
The Beatles were the pioneers of marrying the two ideas into the concept we now know as the music video – a short, stand-alone film of a musical act presenting a current song that may or not be a live performance.
The idea came to the Beatles as a way to ease their ridiculously tight schedule – instead of the band having to make tons of public appearances on TV shows around the world, they could send a video of themselves instead.
The first dedicated music video was for the single “Paperback Writer/Rain” in 1966.
The Beatles certainly didn’t invent the music business, but like Beethoven, they had an undeniable steamroller effect that forced everyone to completely and permanently change nearly everything about the way the industry functioned. These items are not listed in any particular order of importance, but rather are in an approximately chronological order.
Non-musical influences
long hair for men
facial hair
visual art

Formed Their Own Record Company
In 1966, the Beatles’ recording contract with EMI Records expired, and they re-entered into a 9-year contract with EMI in 1967.
The next year, the Beatles decided to form their own record company, Apple Records, and discovered that EMI was not willing to release them.
In a complicated series of confusing maneuvers, the Beatles remained with EMI, but signed a separate agreement between EMI’s American subsidiary, Capitol Records, and Apple.
The result was that American releases contained the Apple label while British releases did not (at first).
In addition to this mess, the Beatles legally hired two different business managers (American Allen Klein and Paul’s new father-in-law Lee Eastman) at Apple, and all contracts between Apple, EMI, and Capitol were revised.
Hilarity and lawsuits soon followed, and the Beatles painfully set the standard for what NOT to do when forming your own record company.
Live Global TV Broadcast
The Beatles were the highlighted subject of the first ever live global satellite television broadcast in June, 1967.
The TV program was called “Our World,” and it featured the contributions of artists and citizens of 19 different nations.
Using four different orbiting satellites, the program was able to be broadcast live to anyone interested in receiving the signal anywhere in the world.
The Beatles performed an in-studio live version of “All You Need Is Love,” which was specially written by John for the broadcast, to close out the program.
Chart Success
No artist has ever come close to the nearly inexplicable global phenomenon the Beatles enjoyed in the Spring of 1964.

March 21
, the Beatles held
#1, #2, and #3
in Billboard’s Hot 100 (for a total of seven songs in that week’s poll).
March 28
, they held
#1, #2, #3, and #4
(ten songs in all) in that week’s Billboard Hot 100.
April 4
, they staggeringly held
#1, #2, #3, #4, AND #5
(for a total of twelve songs) in the Billboard Hot 100.
April 11
, the Beatles added two more songs to the Billboard Hot 100 (
fourteen in all
During this same time frame, they were also snagging most of the album and singles Top Ten lists in the UK, Canada, and Australia.
Studio Techniques
Artificial Double Tracking (ADT)
back masking
tuned feedback
spliced audio loops
stereo effects
multi-tracking (overdubbing)
phase shifting
innovative “microphoning.”
Although the Beatles are not credited with the invention of most of these studio tricks, they were responsible for directly inspiring countless musical acts that were desperate to copy their unique sounds.
Lyrics Printed on Album
The first pop album to feature actual printed lyrics on the album was the Beatles’ 1967 epic release “Sgt. Pepper’s Lonely Hearts Club Band.” Soon, it would be considered non-standard to not do so.
The typical music industry standard recording contract of the 1960s required a band to record and release enough singles for a company to release at least one album per year, and the
Beatles went way above and beyond the call of duty (they released two albums per year in every year with EMI Records except 1966).
Another aspect of the standard recording contract required a band to give a
prescribed number of public concerts as a highly effective means to promote and sell the band’s singles and albums.

However, in August, 1966, at Candlestick Park in San Francisco, the Beatles played their last public concert after over six years of extended touring.
The decision for the Beatles (or any band, for that matter)
to end touring was a landmark decision
, and theirs was based on multiple factors, such as exhaustion, inability to perform newest songs in a live format, inability to hear themselves onstage, wandering musical focus, safety concerns following death threats and boycotts, and boredom.
The Beatles would only make one more public musical appearance, and it would come in January, 1969 in the form of an impromptu semi-private concert on the rooftop of their London studios.
FM Radio
By 1968, the American radio dial preferred to have music on AM and talk radio on FM, and most AM stations
played music in a three-minute single format.
This meant that any singles significantly longer or shorter than three minutes were ignored by AM stations, because it would wreck their repetitive hourly format to play it.
When the
Beatles released “Hey Jude” as a single in August, 1968, it was nearly 7 1/2 minutes long
, and AM stations simply chopped off the song at the 3:00 mark, which denied listeners the chance to hear their favorite part – “Na na na nanananaaa.”
At KSAN-FM in San Francisco, radio pioneer Tom Donahue used the promise of a whole “Hey Jude” single coupled with other innovative ideas (commercial-free blocks of music, playing whole album sides at a time, etc.) as a means to lure listeners away from local AM stations to his uniquely programmed FM station.
The idea eventually snowballed across the country.
Within ten years, American radio stations had almost completely switched places, and put music on FM and talk radio on AM.
Quit Touring
"I Want to Hold Your Hand"

Lennon & McCartney
First #1 in America for any British band
Jan 29, 1969
"Strawberry Fields Forever"
John Lennon
"Hey Jude"
Recorded July '68
Paul McCartney
Released August '68
Over 8 million singles sold
"She Loves You"
Lennon & McCartney
Best selling Beatles single in UK history
The Rock Band
Electric Guitars, Electric Bass and Drums format

In the 50's Rock & Roll Bands featured pianos, saxophones, upright basses and other instruments that dropped out of the common format.
Revitalized Rock Music Itself
Although the Beatles didn't invent Rock and Roll, they did revitalize it at a time when it's popularity was on the way out, and cemented it as the music of choice for youth worldwide.
Musical evolution of a rock/pop band
started as a Rock and Roll Band
classical rock
psychedelic rock
heavy metal
world music
Ticket to Ride
Shea Stadium Concert

Final Live Performance
London rooftop
Recorded for the film "Let It Be"
Continuous Commercial Success
Full transcript