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Blade Runner

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by

sean meade

on 19 April 2013

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Transcript of Blade Runner

Dystopian Post-Apocalytic Future Noir Cyber Punk World set in 2019 Off world, with the now
defunct Pan Am. Plague of the
film; Atari, Cuisinart, Pan Am. I watched c-beams glitter in the dark near Tannhauser Gate Attack ships on fire on the Shoulder of Orion. Time Enough...? Prescious Photos Painful living in fear Wake up. Time to die. Femme Fatale
Mysterious and seductive woman.
Charms ensnare lovers in bonds of
irresistable desire. Often leading to
compromising, deadly situations. I've seen things you people wouldn't believe. The Immortal Match
1851 Blade Runner
by Ridley Scott
1982 Revel in your time More Human than Human Fiery the angels fell. Deep thunder rolled around their shoulders... burning with the fires of Orc. Blade Runner Two sixty-three fifty-four Skin Jobs Zhora Fiery the Angels rose, and as they rose deep thunder roll'd
Around their shores: indignant burning with the fires of Orc. America, A Prophecy
William Blake Roy Batty
looking for
Tyrell, his
maker. Pris Pris with decrepit Sebastian, who is
weakend and broken down. Replicants weren't supposed to have feelings... neither were blade runners (voiceover) Not an easy
man to see. I wanted
to see you He wouldn't
see me If only you could see what
I have seen with your eyes. Leon It's not an easy thing to meet your maker. The Ancient of Days
by William Blake 1794 What is it to be
Human? Slave labor of Androids are used on off-world
planets, a place of escape from earth after
World War Terminus. Brazil is a 1985 British science fiction fantasy film directed by Terry Gilliam Gilliam on Brazil and other two realted films, "craziness of our awkwardly ordered society and the desire to escape it through whatever means possible." Tyrell Corp.
Shape
Sybolism
Creator Style! All those memories... Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography. "We'd be oversimplifying things in calling film noir oneiric, strange, erotic, ambivalent, and cruel": this set of attributes constitutes the first of many attempts to define film noir made by French critics Raymond Borde and Etienne Chaumeton in their 1955 book Panorama du film noir américain 1941–1953 (A Panorama of American Film Noir) from wikipedia
And: In film theory, the term oneiric ("pertaining to dream") refers what proponents describe as the depiction of dream-like states in motion picture, or to the use of the metaphor of a dream or the dream-state to analyze a film.
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