Send the link below via email or IMCopy
Present to your audienceStart remote presentation
- Invited audience members will follow you as you navigate and present
- People invited to a presentation do not need a Prezi account
- This link expires 10 minutes after you close the presentation
- A maximum of 30 users can follow your presentation
- Learn more about this feature in our knowledge base article
VFX Techniques from Ghostbusters 1984
Transcript of VFX Techniques from Ghostbusters 1984
Hardware & Software used!
(SGI) manufactured high performance computer hardware incorporating framebuffer technologies.
The product used to render the effects in Ghostbusters was the
Favored choice of CGI film companies in the 1980's. It had it's own
built in geometry engine
to composite effects.
The scaled model of central park was centered around the
marshmallow man suit
, It was
which wasn’t a normal ratio and this made it difficult to find model cars to populate the streets. One of the team found a police car in a
Toys R Us
which was the right scale, so they rang around all the Toys R Us stores in California and
, then they chopped them up and turned some into fire engines and ambulances. They turned some into
radio controlled cars
, drove one into a fire hydrant, made a small pump device to shoot a fine burst of sand up to simulate water, as you can see bottom left.
Matte Painting & Rotoscoping
articulated matte painted composite.
Each frame was cut out separately which was a very time consuming process.
Stop Motion Animation
This particular shot incorporates most of the techniques, a
in the distant background, a
of Stay Puft in front,
around the building and actors to cut them out,
scaled down and overlaid on the proton gun barrels and five levels of
, frame by frame screened over that from an optical printer to make up the laser streams.
Who ya gonna call?... Richard Edlund!
painted an 8 foot wide photo-realistic
painting on glass.
This needed to be very detailed as it was a key pullback shot.
The result looked too static so he
scratched off the paint
in the centre to show the transparent glass, then scaled down some footage of people moving as a rear process plate, and put it behind the painting to give it more movement.
This scratching technique is also used to shine a lamp behind and create lights in the buildings.
Star Wars, Raiders Of the Lost Ark & Poltergeist
In 1983 he assembled a team to work on Ghostbusters and thus
started the company Boss Films.
The effects in Ghostbusters ended up costing
$5.6 million dollars
Oscar nominated for Best Visual Effects
at the 57th Academy Awards ceremony for Best visual Effects.
miniature set, Blue screen, & Matte painting .
Blue screen in studio
Miniature set with performer
Matte Painted Building
All composited together
¼ scale stop motion clay models
Full scale Hand puppets
The animation was done in front of a blue screen to make it easier to key out the background in post.
Mixture of scaled down
& 5 layers of
The live pyro was filmed on a stage, then re-photographed with a technique called
they then miniaturized the explosions and overlaid them onto the guns nozzles.