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An Inspector Calls - Character analysis

An insight to each individual character in "An Inspector Calls". How they act and react to different situations and what their personalities are, as well as where their responsabilities lie.
by

Daniel Bell

on 27 October 2012

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Transcript of An Inspector Calls - Character analysis

{Character Analysis} An Inspector Calls Auther Birling... Inspector Goole •She is described at the start as "about fifty, a rather cold woman and her husband's social superior."

•She is a snob, very aware of the differences between social classes. She is irritated when Mr Birling makes the social gaffe of praising the cook in front of Gerald and later is very dismissive of Eva, saying "Girls of that class."

•She has the least respect for the Inspector of all the characters. She tries - unsuccessfully - to intimidate him and force him to leave, then lies to him when she claims that she does not recognise the photograph that he shows her.

•She tries to deny things that she doesn't want to believe: Eric's drinking, Gerald's affair with Eva, and the fact that a working class girl would refuse money even if it was stolen, claiming "She was giving herself ridiculous airs."

•She admits she was "prejudiced" against the girl who applied to her committee for help and saw it as her "duty" to refuse to help her. Her narrow sense of morality dictates that the father of a child should be responsible for its welfare, regardless of circumstances.

•At the end of the play, she has had to come to terms that her son is a heavy drinker who got a girl pregnant and stole money to support her, her daughter will not marry a good social 'catch' and that her own reputation within the town will be sullied. Yet, like her husband, she refuses to believe that she did anything wrong and doesn't accept responsibility for her part in Eva's death. She is described at the start as "a pretty girl in her early twenties, very pleased with life and rather excited."

Although she has probably never in her life before considered the conditions of the workers, she shows her compassion immediately she hears of her father's treatment of Eva Smith: "But these girls aren't cheap labour - they're people." Already, she is starting to change.

She is horrified by her own part in Eva's story. She feels full of guilt for her jealous actions and blames herself as "really responsible."

She is very perceptive: she realises that Gerald knew Daisy Renton from his reaction, the moment the Inspector mentioned her name. At the end of Act II, she is the first to realise Eric's part in the story. Significantly, she is the first to wonder who the Inspector really is, saying to him, 'wonderingly', "I don't understand about you." She warns the others "he's giving us the rope - so that we'll hang ourselves" (Act II) and, near the end, is the first to consider whether the Inspector may not be real.

She is curious. She genuinely wants to know about Gerald's part in the story. It's interesting that she is not angry with him when she hears about the affair: she says that she respects his honesty. She is becoming more mature.

At the end of the play, Sheila is much wiser. She can now judge her parents and Gerald from a new perspective, but the greatest change has been in herself: her social conscience has been awakened and she is aware of her responsibilities. The Sheila who had a girl dismissed from her job for a trivial reason has vanished forever.
Sheila Birling... He is described at the start as "in his early twenties, not quite at ease, half shy, half assertive."

Eric seems embarrassed and awkward right from the start. The first mention of him in the script is "Eric suddenly guffaws," and then he is unable to explain his laughter, as if he is nervous about something. (It is not until the final act that we realise this must be because of his having stolen some money.) There is another awkward moment when Gerald, Birling and Eric are chatting about women's love of clothes before the Inspector arrives. Do you feel that there is tension in Eric's relationship with his father?

He is appalled by his parents' inability to admit their own responsibility. He tells them forcefully, "I'm ashamed of you." When Birling tries to threaten him in Act III, Eric is aggressive in return: "I don't give a damn now." Do you think Eric has ever stood up to his father in this way before?

At the end of the play, like Sheila, he is fully aware of his social responsibility. He is not interested in his parents' efforts to cover everything up: as far as he is concerned, the important thing is that a girl is dead. "We did her in all right."
Eric Birling... He is described on his entrance as creating "an impression of massiveness, solidity and purposefulness. He is a man in his fifties, dressed in a plain darkish suit. He speaks carefully, weightily, and has a disconcerting habit of looking hard at the person he addresses before actually speaking. "

He works very systematically; he likes to deal with "one person and one line of enquiry at a time." His method is to confront a suspect with a piece of information and then make them talk - or, as Sheila puts it, "he's giving us the rope - so that we'll hang ourselves."

He seems to know and understand an extraordinary amount:
He knows the history of Eva Smith and the Birlings' involvement in it, even though she died only hours ago. Sheila tells Gerald, "Of course he knows."

He is obviously in a great hurry towards the end of the play: he stresses "I haven't much time." Does he know that the real inspector is shortly going to arrive?
His final speech is like a sermon or a politician's. He leaves the family with the message "We are responsible for each other" and warns them of the "fire and blood and anguish" that will result if they do not pay attention to what he has taught them.
All this mystery suggests that the Inspector is not a 'real' person. So, what is he?
Is he a ghost? Goole reminds us of 'ghoul'.

•He is described at the start as a "heavy-looking, rather portentous man in his middle fifties but rather provincial in his speech."

•He has worked his way up in the world and is proud of his achievements. He boasts about having been Mayor and tries (and fails) to impress the Inspector with his local standing and his influential friends.

•However, he is aware of people who are his social superiors, which is why he shows off about the port to Gerald, "it's exactly the same port your father gets." He is proud that he is likely to be knighted, as that would move him even higher in social circles.

•He is optimistic for the future and confident that there will not be a war. As the audience knows there will be a war, we begin to doubt Mr Birling's judgement. (If he is wrong about the war, what else will he be wrong about?)

•He is extremely selfish:
He wants to protect himself and his family. He believes that socialist ideas that stress the importance of the community are "nonsense" and that "a man has to make his own way."

•At the end of the play, he knows he has lost the chance of his knighthood, his reputation in Brumley and the chance of Birling and Co. merging with their rivals. Yet he hasn't learnt the lesson of the play: he is unable to admit his responsibility for his part in Eva's death. Sybil Birling... He is described as "an attractive chap about thirty, rather too manly to be a dandy but very much the easy well-bred man-about-town."

He is an aristocrat - the son of Lord and Lady Croft. We realise that they are not over-impressed by Gerald's engagement to Sheila because they declined the invitation to the dinner.

He did have some genuine feeling for Daisy Renton, however: he is very moved when he hears of her death. He tells Inspector Goole that he arranged for her to live in his friend's flat "because I was sorry for her;" She became his mistress because "She was young and pretty and warm-hearted - and intensely grateful."

At the end of the play, he has not changed. He has not gained a new sense of social responsibility, which is why Sheila (who has) is unsure whether to take back the engagement ring.
Gerald Croft... Eva Smith... Of course, we never see Eva Smith on stage in the play: we only have the evidence that the Inspector and the Birlings give us.

The Inspector, Sheila Gerald and Eric all say that she was "pretty." Gerald describes her as "very pretty - soft brown hair and big dark eyes."

Her parents were dead.

She came from outside Brumley: Mr Birling speaks of her being "country-bred."

She was working class.

The Inspector says that she had kept a sort of diary, which helped him piece together the last two years of her life. However, in Act 3 we begin to wonder whether Eva ever really existed. Gerald says, "We've no proof it was the same photograph and therefore no proof it was the same girl." Birling adds, "There wasn't the slightest proof that this Daisy Renton really was Eva Smith." Yet the final phone call, announcing that a police inspector is shortly to arrive at the Birlings' house to investigate the suicide of a young girl, makes us realise that maybe Eva Smith did exist after all.
Think about Eva's name. Eva is similar to Eve, the first woman created by God in the Bible. Smith is the most common English surname. So, Eva Smith could represent every woman of her class222.

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