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Identity and Popular Culture

An overview of a work in progress
by

Dustin Kidd

on 14 November 2012

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Transcript of Identity and Popular Culture

Identity and Popular Culture Table of Contents 1. Introduction
2. Race
3. Class
4. Gender
5. Sexuality
6. Disability
7. Nationality
8. Conclusion
--Glossary, Index Opening narrative: Glee
Research Questions/Arguments
Defining Popular Culture
Understanding Cultural Oligopoly
Overview of Media Formats
Defining Identity
Overview of the book: field guide,
narratives, theories, methods, resources 1. Introduction (25pp) Clip: The Merchants of Cool Call Box 1: Understanding Media Oligopoly
Call Box 2: Theoretical Comparisons
Call Box 3: Methodological Comparisons Narrative Opening: The Music of MIA
Theories: Du Bois and Winant
Racial Representations
Race in Production
Race and Audiences
Wrap-up and Resources 2. Race (25pp) Clip: Hip Hop: Beyond Beats and Rhymes Call Box 1: Method: Cultural Efficacy
Call Box 2: Method: Labor Force Analysis
Call Box 3: Method: Audience Ethnography Narrative Opening: Modern Family TV show
Theories: Marx and Bourdieu
Class Representations
Class in Production
Class and Audiences
Wrap-up and Resources 3. Class (20pp) Clip: Class Dismissed Call Box 1: Method: Qualitative Content Analysis
Call Box 2: Method: Production Ethnography
Call Box 3: Method: Audience Surveys Narrative Opening: Belvedere Vodka print ads
Theories: Gilman and Bordo
Gender Representations
Gender in Production
Gender and Audiences
Wrap-up and Resources 4. Gender (25pp) Clip: Killing Us Softly 4 Call Box 1: Method: Discovery in Content
Call Box 2: Method: Interviews/Production
Call Box 3: Method: Audience Controversy Narrative Opening: It Gets Better YouTube Videos
Theories: Durkheim and Foucault
Queer Representations
Sexuality in Production
Sexuality and Audiences
Wrap-up and Resources 5. Sexuality (20pp) Clip: It Gets Better Call Box 1: Method: Interpretive Analysis
Call Box 2: Method: Production Surveys
Call Box 3: Method: Audience Interviews Narrative Opening: The film Freaks
Theories: Weber and Conrad
Crip Representations
Disability in Production
Disability and Audiences
Wrap-up and Resources 6. Disability (20pp) Clip: Can We Talk Ben Stiller? Call Box 1: Method: Quant. Content Analysis
Call Box 2: Method: Organizational Reports
Call Box 3: Method: Auto-ethnography Narrative Opening: Harry Potter books
Theories: Tocqueville and Anderson
National Representations
Nationality in Production
Nationality and Audiences
Wrap-up and Resources 7. Nationality (20pp) Clip: Reading Lolita in Tehran Call Box 1: Method: Comparative Analysis
Call Box 2: Method: History of Production
Call Box 3: Method: Audience Memoir Freaks in the Matrix
-Bringing the narratives together
into an argument about the tension
between inclusion and individuality.

This is more of a narrative essay. 8. Conclusion (20pp) Ancillary Materials Instructor's Manual
Sample Exercises
Art in Electronic Format
Question Banks, Answer Keys
PowerPoints
Prezis
Media Links
Discussion Questions
Suggested Readings
Suggested Videos
Web-links
Tumblr
Twitter Feed
Spotify Mix 35 images/tables in B&W
Full transcript