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Post-Production - The Workflow
Transcript of Post-Production - The Workflow
What is Post-production workflow?
How to approach
STAGES OF WORKFLOW
Post-Production - The Workflow
ENVY POST PRODUCTION?
Period of time
"I love editing. It's one of my favorite parts about film making." - Steven Spielberg
Choosing the basic workflow
Online or Offline
Choosing the right strategy
Projects with a lot of media
Set up of your editing system
General term for capturing or importing video
Logging is the process of identifying which shots you want to ingest for editing
Arranging these raw materials into a final edited sequence of clips
Once the sequence is completed and locked, you can begin to work extensively on the audio
Adding sound effects, music, and voice over on additional audio tracks in the sequence
Mixing the levels of all the different clips together to create a balanced sound mix
Creating effects tends to be more time-consuming than cuts only editing.
Effects are any enhancements you want to make to your footage:
still or motion graphics
Multiple editing software you will use
Quality checks are important
Ingest media files anytime, but usually before you start editing
Three ingest station
40 terabyte Avid Unity server
Five different post production houses, around London, each has it's own purpose
Rough cut in movie sequence
Fine-tuning, subtly adjusting the edit points between clips
Basic audio editing and synchronizing
One of five ENVY's site focus on Online, grading, 3D, VFX, Audio (including a Dolby licensed Studio)
What I've learned
Very posh working place
Definitely underestimated my expectation
Learned to make 'real' latte
How the industry worked in post production stage
Not easy as a runner
Andrew Mitchell, senior editor for Gold Rush
Top Gear - Resolution
Discovery Channel don't like national branding
Corner of reality shows/documentary can sometimes show the letter 'PP'
Two different paperwork, first a list of the edit from raw. Second list of edit from the offline editors
WOO's used commonly on TV programme.
Online editors need to rely on offline editors frequently
Guy, offline editor
Backing up and storing all client's footage
Takes footage and reduces the HD resolution to 15:1 to edit
Then gives to online editor to make the footage look pretty by grading and ready for broadcast
Connected to large AVID server mirrored to provide max security for both project and media files
Simply export your choice of medium
Perhaps wise to know who your end user is:
25, 30, frames per second
PAL or NTSC
There are no hard or fast rules for editing
Different editors have different working styles
This is how I would approach it
Offline editors or MCR room store clients footage