Send the link below via email or IMCopy
Present to your audienceStart remote presentation
- Invited audience members will follow you as you navigate and present
- People invited to a presentation do not need a Prezi account
- This link expires 10 minutes after you close the presentation
- A maximum of 30 users can follow your presentation
- Learn more about this feature in our knowledge base article
Do you really want to delete this prezi?
Neither you, nor the coeditors you shared it with will be able to recover it again.
Make your likes visible on Facebook?
Connect your Facebook account to Prezi and let your likes appear on your timeline.
You can change this under Settings & Account at any time.
Yellow River Piano Concerto
Transcript of Yellow River Piano Concerto
Mvmt II and III
Links to 19th Century
Russian Music and
Tonic, Subdominant, Dominant, Tonic progressions almost exclusively
I ---> IV (or ii) ---> V ---> I
First inversions only (second inversion is very rare)
Some use of 7ths, usually on the dominant
Secondary dominants lead to their tonic
Mixture chords from parallel key
Progressions are more extensive, unpredictable and chromatic - rules are made to be broken
Use of any chord inversion
Many 7ths and use of 9ths, 11ths, 13ths.
Secondary dominants free stand or resolve differently
Mixture chords more freely derived
Yellow River - Mvmt II
Mozart Piano Concerto No. 6 in Bb Major K. 238 III
This is similar to:
Schumann Piano Fantasy in C Major
This is similar to:
Dresser - On The Banks Of The Wabash
Or we can analyse this chord a different way...
As an altered iii to major (III).
This is called a 'double mixture chord.'
Yellow River - Mvmt III
Yellow River contains examples of romantic harmony:
Unresolved or differently resolving secondary dominants
Double mixture chords (chromatic)
Use of 7ths, 9ths, 11ths and 13ths.
Free use of all chord inversions - especially second inversion
Extended and frequent use of chromatic harmony
19th Century Russian Music
Prince Igor - Overture
Ma Vlast - Vltava (Moldau)
Programmatic music depicting the water flowing down the river Moldau
Similar depictions in Yellow River.
Use of fast scalic passages
These scalic passages often utilise chromaticism
These are set against a strong folk melody.
Piano Concerto No.2 III
Pictures at an Exhibition
Rapid arpeggiated "quasi glissandi" passage after the Presto
Similar to the gesture found at the opening of Yellow River III
Strong melodic content harmonised with strong chords in the right hand and tuplet figures (often cross rhythmic) in the left hand
Similar to what is found in Yellow River II
Use of a descending bass pattern (often by chromatic step)
Found in Yellow River II and III
Chordal accompaniment of a prominent melody (often with doubling) employing chromatic harmony
Found in Yellow River II
NB: Overture was posthumously composed by Glazunov based on a plan by the original composer using the material already composed for the opera.
Programmatic - depicting the walk through an art gallery and the viewers emotional response to each picture.
Promenade and The Great Gate at Kiev are reminiscent of Russian nationalist song and folk tune.
The strident block chords depict the Russian sense of National pride and loyalty musically.
Yellow River employs the same use of folk song and depicts Chinese nationalist ideals.
This is also
Programmatic depiction of the Russian victory over the French
Heavy nationalistic themes with quotations of the French and Russian Anthems (God Save the Tsar - this is often censored and omitted)
As in previous examples, these devices can be found throughout the Yellow River Concerto